History of The Beatles: Arrival in America February 7, 1964
The Beatles arrived at JFK on Feb 7, 1964. Image: JBP Trans Consulting
HISTORY OF THE BEATLES
On February 7, 1964, The Beatles landed at JFK Airport in New York. The airport had recently been renamed by a mourning country in honor of President Kennedy, who had been assassinated just 77 days earlier. When they landed, the airport was full of 4,000 greeters.
Not realizing why there was such a crowd, Paul McCartney wondered aloud, “Who is this for?” as the screaming fans rushed the gates to meet The Beatles. Two days later, on Sunday night, they would appear for their first of three consecutive Sunday night appearances on The Ed Sullivan Show.
First American Record Album
Meet the Beatles! was the first record album I ever bought. A monochrome cover and a dozen monophonic songs opened with the clap-track augmented I Want To Hold Your Hand, followed by I Saw Her Standing There; both were already massive hits in the U.S. To get a glimpse of the cultural impact it had in America – and the value of a recording clap track – watch the Tom Hanks movie “That Thing You Do.”
The Ed Sullivan Show
On Sunday nights in the ’60s, everyone watched The Ed Sullivan Show. My family watched it. Seventy-three million other Americans watched this particular show on February 9, 1964. I was glued to the T.V. set for what would become a cultural watershed moment in American history and one of the world’s top-viewed television events of all time. 60% of American T.V.s were tuned in to it; over 45% of Americans saw it.
Ed Sullivan introduced them with,
“Tonight, the whole country is waiting to hear England’s Beatles.”
The Fab Four performed five songs on the live broadcast. In glorious black and white, the personality of the British band came shining through as their names were superimposed over them as the camera panned to each one. Paul McCartney winked and smiled at the camera.
George Harrison was standing in the center, doing tight guitar licks. For John Lennon, whose microphone barely worked, the caption below his name said:
“SORRY GIRLS, HE’S MARRIED.”
Davy Jones, who would later become a teen idol in The Monkees, sang on the show that night as the Artful Dodger with the cast of the Broadway musical “Oliver,” but who remembers? He did and said to himself, “This is it; I want a piece of that.” There were 50,000 requests for the 700 seats for the Sullivan show.
Trivia: a later British rocker would emerge named David Jones, but as the name was already “taken” so he called himself David Bowie.
Elvis Presley had previously been paid $50,000 for three appearanceson the Ed Sullivan Show. The Beatles’ manager, Brian Epstein, negotiated top billing for The Beatles and three shows for $10,000. It was about exposure at this time, not money. Years later, Paul McCartney would go down in history as the most financially successful musician in history.
The Beatles at Carnegie Hall
Three nights later, they would do two shows at Carnegie Hall. Ticket prices were $4.00, $4.50, and $5.00. On February 11, they played in Washington, DC’s Washington Coliseum to an audience of 8,000.
Beatlemania
The Beatles on Ed Sullivan
Beatlemania had already been going on in the U.S. In 1963, radio stations played the U.K. single I Want to Hold Your Hand and the B-side I Saw Her Standing There. These were released on vinyl in the U.S. the day after Christmas and sold 250,000 copies within three days and 1 million copies within ten days.
Time Magazine wrote,
“They look like shaggy Peter Pans.”
British Invasion
The British Invasion had begun. While The Beatles were among the first wave — and perhaps more “parent acceptable” than others — they were followed by The Kinks, Dusty Springfield, Peter and Gordon, The Animals, Petula Clark, Herman’s Hermits, The Rolling Stones, The Dave Clark Five, Donovan, Lulu, and Gerry and the Pacemakers.
Their Merseybeat style of music, centered in Liverpool in 1962, was a significant impetus to this first wave. The second wave included The Who and The Hollies. This was all helped by British movies that had become popular in the U.S. with actors like Julie Andrews (Mary Poppins), Audrey Hepburn (My Fair Lady), Michael Caine (Alfie), Peter O’Toole (Laurence of Arabia), and Sean Connery (James Bond).
As Seth Godin said in his TED talk entitled “The Tribes We Lead”:
“The Beatles did not invent teenagers; they merely decided to lead them.”
Generational Impact of The Beatles
There was a rebellious tone to this style of rock and roll music, and the impact of The Beatles cannot be underestimated. My father, at that time, clearly illustrated the “generation gap” highlighted by The Beatles. He didn’t “get” The Beatles, not recognizing their beautiful harmonization until another adult pointed it out to him.
Everyone recognized that they influenced clothing and hairstyle, but they did more than that. Their mid-career music included psychedelic (Lucy in the Sky with Diamonds) and drug themes (A Day In The Life). Eastern religion (Across The Universe) and sitar music (Within You, Without You) became part of their later music.
American Postmodernism?
The Beatles in Washington, D.C.
Several historians, including this one, posit that The Beatles introduced Postmodernism into American culture. They clearly did so in their music, which often influences culture, and I believe it influenced the American worldview as well. Postmodernism had appeared in Europe earlier in the 1900s, but not in the somewhat isolationist America until the ’60s.
The worldview of Modernism, which emerged with the Enlightenment in the late 17th century and the Industrial Revolution in the 18th century, emphasized science, reason, and rationalism and gave rise to questions about authority and absolutes.
Postmodernism emerged in Europe in the early 1900s as a departure from traditional approaches to depicting the world, asserting that it was no longer feasible to rely on established methods. It supplanted moral, political, and aesthetic ideals, rejecting the Enlightenment’s notion of progress and rationality. Consequently, it gave rise to nihilistic forms of relativism that denied the existence of a singular, foundational historical narrative.
America in the ’60s
Postmodernism fit the zeitgeist of 1964 with its contradictions, irony, and pop culture. John Lennon’s statement
“We’re more popular than Jesus,”
was often misunderstood, even when he tried to explain it, but that didn’t make it sit any better with Grandma. It is no understatement to say that they changed the American mind.
A generation ago, popular musicians served as the voice of their generation. During the ’60s, for example, millions of people hung on every word The Beatles said. They provided the musical score for the Summer of Love in 1967.
They were the musical poets.
Paul McCartney in Denver
That is not true of other artists today. Are The Beatles still relevant? Paul McCartney plays in sold-out arenas; I’ve seen him twice at Denver’s Ball Arena, which seats 18,000, and once at Denver’s Coors Field, which seats over 50,000.
Several years ago, while on a speaking trip to Manchester, England, I took a day to make a pilgrimage to nearby Liverpool and got on a bus called The Magical Mystery Tour to visit the Beatles’ childhood homes, significant sites, and musical venues. I describe some of that in my Paul McCartney concert review here.
He plays the soundtrack of my life.
Beatles Still Relevant
Even in recent years, decades after they stopped making music together, The Beatles are still rocking it:
- On 09/09/09 (“Number Nine, Number Nine, Number Nine“), Harmonix introduced their music-themed video game “The Beatles: Rock Band” with digitally remastered music.
- Their Cirque du Soleil show LOVE opened in Las Vegas in 2006. It ran until July of 2024
- The Beatles received the Lifetime Achievement Award from the Recording Academy in 2014.
- The Beatles received the Lifetime Achievement Award at the Grammys in 2014.
- Paul McCartney is still touring. In 2025, he performed in Denver as part of his Got Back Tour. Read my review here.
Paul McCartney: Got Back, Coors Field, Denver. Author’s photo
- Ringo Starr is still touring with his All Starr Band. His 2026 tour schedule is found here.
- Peter Jackson (of Lord of the Rings film fame) directed and produced The Beatles: Get Back, a 2021 documentary series. It covers the making of the Beatles’ 1970 album Let It Be (which had the original working title of Get Back).
- In 2023, The Beatles had a Number 1 hit with “Now and Then,” based on a track by John Lennon that was enhanced by Peter Jackson’s technology to isolate Lennon’s voice and add tracks previously recorded by George Harrison and contemporary tracks by Paul McCartney and Ringo Starr. It won the Record of the Year Grammy Award for Best Rock Performance.
Who was your favorite Beatle?
Bill Petro, your friendly neighborhood historian
billpetro.com
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